Vol. XVIII · Free shipping $75+ · Read the collection
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Photo Print : Formerly Mathew B. Brady - Hanover Junction, Pennsylvania : Vintage Wall Art United States Massachusetts Connecticut and Rhode Island New England The largest and most beautiful view of Boston to appear in the 19th century. 5247472 Plan of lots in Cambridge

Photo Print : Formerly Mathew B. Brady - Hanover Junction, Pennsylvania : Vintage Wall Art United States Massachusetts Connecticut and Rhode Island New England The largest and most beautiful view of Boston to appear in the 19th century. 5247472 Plan of lots in CambridgeHanover Junction, Pennsylvania American, born Ireland, 1823? 1896 New York Artist Nationality: American Original Medium, Materials or Technique: Albumen silver print from glass negative We print high quality reproductions of historical maps, photographs, prints, etc. Because of their historical nature, some of these images may show signs of wear and tear small rips, stains, creases, etc. We believe that in many cases this contributes to the historical

SKU: 90898576323 · From iglepidom.org

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Description

Plan of lots in Cambridge belonging to Dr

Km-Ombou (Ombos)

and monumentally proportioned 1855 sea chart or maritime map detailing the eastern coast of the United States from New York City to southern Florida (roughly around Palm Beach)

Materials or Technique: Brush and ink and graphite on off-white paper

Photo Print : Formerly Mathew B. Brady - Hanover Junction, Pennsylvania : Vintage Wall Art United States Massachusetts Connecticut and Rhode Island New England The largest and most beautiful view of Boston to appear in the 19th century. 5247472 Plan of lots in CambridgeHanover Junction, Pennsylvania American, born Ireland, 1823? 1896 New York Artist Nationality: American Original Medium, Materials or Technique: Albumen silver print from glass negative We print high quality reproductions of historical maps, photographs, prints, etc. Because of their historical nature, some of these images may show signs of wear and tear small rips, stains, creases, etc. We believe that in many cases this contributes to the historical

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